Teaching the course “Race, Sexuality & Representation” has been a great joy. To have 15 upper-level students who are Women’s Studies majors and minors has been a privilege. It is also fun to be able to study people I greatly admire, like Marlon Riggs, Essex Hemphill, Audre Lorde, Sylvester and Beyoncé. In this article, I would like to focus on another person that we have studied: Big Freedia. We read Big Freedia’s autobiography and watched a short documentary about her on YouTube. I am a big fan and this article will be largely be me fan-girling about Big Freedia.
I first was introduced to Big Freedia on her TV show on Fuse called Big Freedia: Queen of Bounce. The most recent season was called Big Freedia Bounces Back. Seeing Big Freedia on the screen brought me back to when I was around 10 years old. I was watching a show that has long since been cancelled called Solid Gold. It was kind of like American Bandstand and featured popular artists performing their hits. That week they had Boy George and Culture Club on and I was Transfixed. Finally, I knew I was looking at someone like me, someone who did not fit the cookie-cutter image of traditional men and women. It was so empowering to see a reflection of myself on the television screen.
Big Freedia is a Black, Gay, Gender Nonconforming Icon. Although Freedia identifies as a Gay Man, many people use she/her pronouns and it is believed that this is Freedia’s preference. In honor of Freedia’s preference and femininity, I use feminine pronouns in this article. Like with Boy George, I was transfixed when I first saw Freedia on television. Big Freedia the TV show is not just another reality TV show. It has a lot of heart and it profiles people that we NEVER get to see on TV. Big Freedia is not Transgender, as far as we know, but she is Gender Nonconforming. Perhaps even more importantly, Big Freedia is African American. We don’t see Trans and Gender Nonconforming People of Color on television. Big Freedia having her own TV show, making her own music videos, writing her autobiography and doing many other things is truly revolutionary. It has taken a long time for her to rise in her career and she has worked incredibly hard. I hope she realizes what she means to so many of her fans and what she means to the culture as a whole for LGBTQ+ people, People of Color and many other groups in American culture.
Big Freedia has truly had to crawl her way up the ladder of media success. She was born poor as Freddie Ross in New Orleans and started out singing in the church choir. She switched it up and got involved with the Bounce music scene in New Orleans. Freedia was very close to her mother, Miss V., and her mother supported her in her career and through coming out as Gay. Freedia started performing in the club scene and quickly made a name for herself. She has had A LOT of challenges to deal with in her meteoric rise in the Bounce music industry. These have included the death of her beloved mother at a young age from cancer, being shot twice in an attempted crime, Hurricane Katrina, the death of colleagues, lots of management changes over the course of her career, and a legal problem that made headlines when she was accused of Section 8 theft.
I absolutely love Big Freedia’s music videos. My favorite one is called “Explode.” In it, she begins by saying:
“My music, it makes me feel good about what I do and the culture that I represent. People get confused by if I am ‘he’ or ‘she.’ I am more than just Big Freedia. I am more than just Queen Diva. I am more than just Freddie Ross. I am Me. I am the Ambassador, representing for New Orleans and for bounce music. So many things in my head sometimes, it just all makes me want to explode.”
The video then goes on to show Big Freedia and her troop of dancers, often called shakers, dancing on the street, in a laundromat and in a club. Big Freedia’s style might best be termed “androgynous royalty.” I particularly like how they are engaging in twerking in the laundromat. I go to the laundry every week with my mom and it is a pretty dismal place. As many people have commented, bounce music is happy music. It is by definition fast paced and euphoric. So Big Freedia and her shakers taking over the laundromat is a form of breaking up the mundane practice of washing and drying clothes. When Freedia and her dancers take over the street, which occurs in videos like “Duffy”, they literally stop traffic. I see this as a decolonization of space: a decolonization by Blackness, Queerness, and Gender Nonconformity. It is reclamation of territory that has been dominated by whites, heterosexuals and cisgender people.
Freedia reframes popular culture in the same way that she reframes identity. In Euro-American identity politics, there are very clear demarcations between “Gay Man” and “Transgender.” While I am not making the assertion that Freedia is Transgender since she has said explicitly that she is not, I am asserting that her Gender Nonconformity and Queerness mix together in a very fluid way. Freedia’s best friend and fellow Bounce music artist Katey Red is a Trans woman so Freedia is very familiar with Trans identity. Freedia may identify as a Gay Man but prefers the use of feminine pronouns. I think Freedia challenges the fixity of a Euro-American paradigm that would see “Gay Male” and “Transgender Woman” as absolutely antithetical. Big Freedia’s Queerness is complex and challenges us to re-think the total separateness of gender identity, gender expression and sexual orientation and how we might rework these entities in very creative ways.
Finally, I wish to end this piece by saying that Big Freedia is Royalty. There is a reason she is called the QUEEN Diva. There is a reason there is such a thing as Drag Queens and Drag Kings. In a society that hates Blackness, that hates Queerness, that hates Gender Variance, for a Black, Queer, Gender Nonconforming person to demand their right to the throne is revolutionary. Big Freedia will never know how many countless people she has helped to honor their own uniqueness and claim their own nobility. We are all majestic and remarkable, larger-than-life figures like Big Freedia remind us of exactly that.